Loosely based on the short story Adjustment Team by Philip K. Dick, The Adjustment Bureau tells the story of David Norris (Matt Damon) a young, charismatic politician who falls in love with dancer Elise Sellas (Emily Blunt). They meet and Elise gives him her phone number. Their next meeting, however, occurs three years later. 

 

This is because after his second meeting with Elise, David accidentally walked in on men in coats and hats making adjustments to the brain waves of his friends and colleagues. The men warn him to stay away from Elise. They work for a person called ‘Chairman’ and are in charge of running things according to plan. And David and Elise’s happily ever after is not part of the plan. David, though, is determined to be with Elise and will do whatever it takes, even bending God’s will. 

 

George Nolfi diverts from the original story a lot, choosing to focus on the romantic aspect of the story line. It works for most part but it takes a lot more than a few passionate kisses to convince the audience of the power of true love. The film tackles other themes like taking risks, deviating from the set plan and that authority is not always right. The Adjustment Bureau has woven these themes into a novel plotline but the ultimate result is something we have watched before. 

 

What keeps you hooked, though, is the racy pace of the film that does not let you slouch for a minute. This is complimented by great dialogues and an apt musical score. 

 

Matt Damon and Emily Blunt bring their combined experience as actors and infuse belief in this otherwise tough-to-buy-into story. Their chemistry might not be crackling but they do seem like a normal couple in love. They are supported by Anthony Mackie, of The Hurt Locker, who plays their guardian angel. 

 

With a few minor adjustments, The Adjustment Bureau could have been a spectacular film. It’s not a bad film but it leaves you with a feeling that something’s missing.